{"id":2526,"date":"2019-03-13T12:40:20","date_gmt":"2019-03-13T10:40:20","guid":{"rendered":"http:\/\/nataliamartinlago.com\/?p=2526"},"modified":"2024-05-13T16:59:11","modified_gmt":"2024-05-13T14:59:11","slug":"madrid-toulouse-lautrec-y-el-espiritu-de-montmartre","status":"publish","type":"post","link":"https:\/\/nataliamartinlago.com\/index.php\/madrid-toulouse-lautrec-y-el-espiritu-de-montmartre\/","title":{"rendered":"MADRID \u00b7 Toulouse-Lautrec y el esp\u00edritu de Montmartre"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Otra escapada breve a Madrid que me permiti\u00f3 abrir una nueva ventana y asomarme al arte y, sobre todo, al Cartelismo del siglo XIX en Montmartre y Par\u00eds.
<\/strong><\/p>\n\n\n\n

La exposici\u00f3n del CaixaForum Madrid nos muestra a trav\u00e9s de pinturas, dibujos, carteles e ilustraciones,  la producci\u00f3n de Toulouse-Lautrec en sinton\u00eda con la de sus contempor\u00e1neos en el Par\u00eds de finales del siglo XIX. Un viaje por el Par\u00eds bohemio de entre siglos con m\u00e1s de 350 obras que incluyen pr\u00e9stamos internacionales de colecciones p\u00fablicas y privadas.<\/p>\n\n\n\n

\"\"<\/a>
Henri Rivi\u00e8re. “Paris Vue de Montmartre” 1900<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
1. Maxime Dethomas. “Cartel Montmartre” 1897 2. Georges Tire-Bognet. “Caricatura de Rodolphe Salis a Le Chat Noir” 1890 3. Henri Gabriel Ibels. “Cartel para la Exposici\u00f3n H.G. Ibels” 1894<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Th\u00e9ophile-Alexandre Steinlen. “La Rue” 1896<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
1. Th\u00e9ophile Alexandre Steinlen. “Poster Le Chat Noir” 1886 2. George Auriol. “Men\u00fa Le Chat Noir” 1895 3. Jules Ch\u00e9ret. “Cartel Exposition Universelle des Arts Incoherents” 1889<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
1. Henri de Toulouse-Lautrec “Cartel Babylone d’Allemagne” 1894 2. Henri de Toulouse-Lautrec. “Reina de la alegr\u00eda” 1892 3. Henri de Toulouse-Lautrec. “Portada de L’Estampe originale” 1893<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
1. Maurice Denis. ” L’Estampe Originale” 1893 2. Pierre Bonnard. ” L’Estampe Originale” 1893<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
1. Henri de Toulouse-Lautrec “Confetti” 1894 2. Henri de Toulouse-Lautrec “P. Sescau, fot\u00f3grafo” 1894 3. Georges Bottini. “Cycles M\u00e9ldinger” 1897 4. Jacques Villon. “L\u00b4Anti-B\u00e9lier” 1899 5. Henri de Toulouse-Lautrec. “Qui, L’Artisan Moderne” 1894<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
1. Jean-Louis Forain, “Woman with a Mask and Black Gloves” 1894, 2. Theophile Alexandre Steinlen “Yvette Gilbert tous les soir aux Ambassadors” 1894<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Henri de Toulouse-Lautrec. Varias obras<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
1. Henri de Toulouse-Lautrec “Ambassadeurs” 1892 2. Henri de Toulouse-Lautrec “Divan Japonais” 1892<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
1. Henri de Toulouse-Lautrec “Moulin Rouge: La Goulue” 1891 2. Henri de Toulouse-Lautrec “Troupe de Mlle. Eglantine” 1896 3. Jules Gr\u00fcn “La canci\u00f3n de Montmartre” 1900<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Charles Maurin “Loie Fuller” 1895<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
1. Theophile Alexandre Steinlin “Le Journal” 1899 VERSI\u00d3N CON CENSURA 2. Theophile Alexandre Steinlin “Le Journal” 1899 VERSI\u00d3N SIN CENSURA 3. Henri de Toulouse-Lautrec “Troupe de Mlle. Eglantine” 1896 3. Eug\u00e8ne Delatre “La mort en fourrure peint vers” 1897<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Otra escapada breve a Madrid que me permiti\u00f3 abrir una nueva ventana y asomarme al arte y, sobre todo, al Cartelismo del siglo XIX en Montmartre y Par\u00eds.<\/p>\n","protected":false},"author":1,"featured_media":6123,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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